Debussy's and Scryabin's musical orientalism. From the citation to the transformation language

Abstract

The article devoted to the analysis of the inner form of Scriabin's musical language, conducted a comparison of the musical language of Scriabin and Debussy, primarily on the basis of the analysis of the origins and nature of their musical orientalism, showing the specificity of cultural and krosscultural impact on the musical language of the Russian and French composers.